The “table of concert-action” was placed on stage as a three metres by four impressive totem [… ] not representing a political concept, but still able to stimulate the necessary action, to transform contrasting elements in an harmonious concert. A rare verbalization provides the framework for this silent performance, drawn with the typical Gabriele Boccacini art direction linear simplicity, about thirty individuals choral action; the group is composed by Stalker performers and Biella High School students [… ] The space is crossed by rows of bodies acting, led by Ozmotic sound. Stalker creates a playful context, based on color and movement geometries [… ] Audience is large, its applause is deserved.